Woyzeck (Georg Buchner, 1836/7)
Maria Magdalene (Friedrich
Hebbel, 1844)
An Enemy of the People (Henrik
Ibsen, 1882)
Miss Julie (August Strindberg, 1888)
Salome (Oscar Wilde, 1891)
Lulu (Frank Wedekind, 1896; Eric Bently translation, The First
Lulu”)
Reigen [aka, La Ronde, Hands-Around](Arthur Schnitzler, 1896-7)
Cyrano de Bergerac (Edmond Rostand, 1897)
Uncle Vanya (Anton Chekhov, 1899)
Such Is Life (Frank Wedekind,
1902)
Elektra (Hugo von Hofmannsthal,
after Sophocles, 1904)
The Break of Noon (Paul Claudel, 1906)
Trifles (Susan Glaspell, 1916)
Six Characters In Search of An Author (Luigi Pirandello, 1921)
Divine Words (Ramon Maria del Valle-Inclan, 1924)
Four Saints In Three Acts (Gertrude Stein, 1927)
The Constant Wife (W. Somerset Maugham, 1927)
Journey's End (R.C. Sherriff, 1929)
Rise and Fall of the City of Mahagonny (Bertolt Brecht, 1930)
Design for Living (Noel Coward, 1932)
Dead End (Sidney Kingsley, 1935)
The Women (Clare Boothe Luce, 1936)
You Can't Take It With You (Moss Hart and George S. Kaufman,
1936)
Our Town (Thornton Wilder, 1938)
The Little Foxes (Lillian Hellman, 1939)
The Time of Your Life (William Saroyan, 1939)
Arsenic and Old Lace (Joseph Kesselring, 1941)
Long Day's Journey Into Night (Eugene O'Neil, 1942/1956)
A Streetcar Named Desire (Tennessee Williams, 1947)
The Maids (Jean Genet, 1954)
Endgame (Samuel Beckett, 1957)
Who's Afraid of Virginia Woolf? (Edward Albee, 1961-2)
Dutchman (Amiri Baraka writing as LeRoi Jones, 1964)
The Boys In The Band (Mart Crowley, 1968)
The Tooth of Crime (Sam Shepard, 1972)
Hamletmachine (Heiner Muller, 1977)
Betrayal (Harold Pinter, 1978)
Glengary Glen Ross (David Mamet, 1984)
Aunt Dan and Lemon (Wallace Shawn, 1985)
Les Liaisons Dangereuses (Christopher Hampton, 1985)
The Normal Heart (Larry Kramer, 1986)
M. Butterfly (David Henry Hwang, 1988)
Angels In America: A Gay Fantasia on National Themes [Part I: Millennium
Approaches; Part II: Perestroika] (Tony Kushner, 1991-2)
Arcadia (Tom Stoppard, 1993)
Blasted (Sarah Kane, 1995)
